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QUESTIONS:

1. Has the language resistance movement—particularly English—hurt Africa both financially and intellectually?

2. I see a new wave of African authors breaking free from the code-switching/Africanised-English tradition established by first-generation writers. Many now opt for standard English, aiming to write with the same precision as British authors like Mark Billingham. This is a good thing. Do you think this shift makes it easier for Africans to write genre fiction with complex, layered plots? After all, most readers just want a good story—something they can enjoy. They would sell more books and, in turn, help Africa.

3. How can we gather African authors to donate toward indigenous language schools, and truly honour the oral tradition by keeping it in oral form—through audio and video, not just books? It's time for action. Since the 1962 Makerere conference, there’s been too much talk and too little follow-through. We could start with one language group, say Gikuyu, in honour of Ngũgĩ wa Thiong’o. None of our members is Gikuyu, but a few are already willing to contribute.

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Afro Literature Academisphere's avatar

Thanks for following us back. Yes, Kinyanjui Kombani-- The Banker who Writes and Dr Mukoma Ngugi are both amazing writers.

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